First Among Sequels (Thursday Next, Book 5) Review

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First Among Sequels (Thursday Next, Book 5) ReviewThis series is one of those unfortunate ones that is so, SO good that I want to pass them along to everyone I meet (I buy every used copy of the first one I can find, to give them away!), but when you try and tell people what the books are all about, you get blank stares - it all just sounds too odd.
This latest in the series is no exception - clever, laugh out loud funny, and so fantastic that explaining it just doesn't do it justice. The literary humor is still hilarious (and explained well enough that those who haven't read the classics that the jokes come from can still get the jokes!) and Thursday's personal life and literary adventures are both well-written and enjoyable.
I had found the last Thursday book, Something Rotten, a bit duller than the first three, and so was delighted to begin reading and see how good this one is. Fforde is back on form!
Thursday's grumpy teenage son Friday, who speaks in teenage grunts, is destined sometime in the future to save humanity from extinction some 700 times, but right now is causing his parents to tear their hair out over his stereotypical teen behavior - sleeping late, listening to loud music, and being monumentally lazy.
Thursday has a new apprentice, Thursday Five, who comes from one of Thursday's poorer selling books in which the author substituted her usual crime-solving and bacon-sandwich eating demeanor for one of a yoga-doing, lentil-eating peacenik who tries to set unruly and murderous literature-dwellers down for a nice cup of tea to talk things over.
What will become of the lowered reading rates, and the government's dangerous surplus of stupidity, which must, somehow, be discharged? Will the Goliath Corporation, up to its old tricks, succeed in killing Thursday? Read this latest and find out.First Among Sequels (Thursday Next, Book 5) Overview

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Woman's World: A Novel Review

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Woman's World: A Novel ReviewThe `woman' of the title exists through the cuttings that make up her story: so that in effect, the narrator is created by the text itself. This sounds a bit too clever by half: and it is: but that doesn't stop it being an un - put - down - able read.
Graham Rawle's expert manipulation of cuttings from 1960s womens' magazines presents a deeply compelling psychological portrait. A fascinating insight into the mindset of a `lady' prescribed by the media of the time - promoting obsession with home furnishings, elegant waistlines and a naive notion of romantic love - is juxtaposed with the ever more complex reality of a troubled and restless mind unable to lay ghosts from the past to rest. You're reeled in by a need to determine the `real' voice through the dizzying proliferation of media jargon and retro fashion imagery. As the plot seeps through the cracks between cuttings, the depiction of lonely characters going about their suburban routine existences masterfully undercuts the superficial glossy ideal. Our heroine's clumsy foot tries to boot the gritty banality of her world into a relentlessly romantic vision of glamorous cosmopolitanism. The fit is as ungainly as the dresses she dons. The result is by turns painfully sad, eery and hysterically funny. Latent hysteria sets the pace of this unlikely thriller, where reality and fantasy head for a full - on collision.
Each page is a work of art: incorporating the whimsical phraseology of the time, lacing kitsch inanities with instances of poetic poignancy, punctuating moments of insight with visual cues, the text literally sliding off the page in moments of panic. The modern - day Frankenstein's monster wears `raucous red Boulevard Court shoes'.Woman's World: A Novel Overview

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