No Trace: A Brock and Kolla Mystery Review

No Trace: A Brock and Kolla Mystery
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No Trace: A Brock and Kolla Mystery ReviewBarry Maitland's "No Trace" is a haunting and powerful police procedural featuring Detective Chief Inspector David Brock and Detective Sergeant Kathy Kolla. Brock and Kolla are members of a Major Enquiry Team looking into the disappearance of three young girls: Aimee Prentice, Lee Hammond, and most recently, Tracey Rudd, the six-year-old daughter of Gabriel Rudd, a controversial contemporary artist. Rudd lives in Northcote Square, a London neighborhood known for its cutting-edge artists and art dealers.
Maitland does a masterful job of juggling an enormous cast of colorful characters. Betty Zielinski is an apparently disturbed woman who lives near Gabriel Rudd. Although she claims that she has pertinent information that could help the police, no one is willing to pay any heed to "Batty Betty," as she is known in the square. Len and Bev Nolan, Tracey's grandparents, despise Rudd, whom they blame for the suicide of his wife, Jane, who was also their daughter. Fergus Tait, Gabe's art dealer, is an opportunist who encourages Gabe to immediately transform his grief into a new work of art, as he did after his wife's death.
Weeks pass without any leads. Suddenly, a series of homicides raises the stakes for the investigators. It soon becomes apparent that a serial killer is loose in Northcote Square. Could these murders be related to the abduction of the three little girls? Brock has his hands full dealing with these high-profile cases, especially since his superiors are breathing down his neck and pressuring him for results. Maitland slowly builds up tension as Brock, Kathy, Detective Inspector Bren Gurney, and the rest of the team desperately look for leads.
"No Trace" is one of the most dark and complex thrillers of the year. It has crisp dialogue, sharp descriptive writing, excellent depiction of police procedure, and deliciously sardonic humor. Maitland touches on a number of compelling themes and develops them beautifully: the selfishness of great artists, the political jockeying for power among law enforcement agencies, and the price that dedicated detectives pay for their devotion to duty. The author skillfully demonstrates that some apparently normal human beings are so cruel and insensitive to the pain and suffering of others that they commit horrific acts with little or no remorse. The plot becomes more and more intricate until it culminates in a breathtakingly clever and surprising, if not entirely realistic, finale. Still, Maitland pulls it off, and "No Trace" is itself a minor work of art.
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